DGXFHN™ Ember Disc Mouse

DGXFHN™ / Quiet Form Series

Ember Disc Mouse

A bold, low profile with an earthy, gallery-like character.

A small object with a clear point of view

Ember Disc Mouse began with a study of ember tones in a clay workshop. The result is a mouse that feels at home in a considered workspace, where useful objects are allowed to have character. Its low circular disc gives the hand a distinct resting shape, while the deep terracotta red finish brings the mood of the surrounding room into the detail of the desk.

The disc shape reads like a small object from a design gallery, useful and quietly expressive.

Designed around the way a desk feels

The details are intentionally restrained. There is no visual noise, no oversized branding, and no unnecessary decoration. The silhouette does the talking. Every edge is softened where the hand expects it, while the top surface stays visually clean for a more composed desktop view.

The finish was selected to work with real interiors: pale oak, dark walnut, brushed metal, linen, stone, ceramic, and painted walls. That makes Ember Disc Mouse easy to place in a home office, studio, library corner, or shared workspace without forcing the room into a single style.

Product details

• Product type: premium computer mouse
• Collection: Quiet Form Series
• Primary colour: deep terracotta red
• Form language: low circular disc
• Surface direction: soft matte shell with a low circular profile
• Recommended setting: warm clay and muted charcoal studio
• Presentation: individual product, no bundled SKU
• Use case: everyday navigation, creative work, planning, and focused desk routines

The DGXFHN™ approach

DGXFHN™ makes small desk objects for people who notice proportion, surface, and atmosphere. We keep the language quiet and the forms specific. Each piece is given its own colour story and its own visual setting, so the collection feels like a group of individual works rather than a row of near-identical variations.

Bring Ember Disc Mouse into a space that values calm, clarity, and the pleasure of using something well considered.

DGXFHN™ / CHAPTER 01

The first impression — Ember Disc Mouse

Ember Disc Mouse was developed around ember tones in a clay workshop. That reference gives the design its particular balance: a low circular disc body, a deep terracotta red finish, and a presence that feels deliberate without becoming theatrical. The surface feels composed beside notebooks, ceramic cups, timber, and brushed metal. The result is an everyday computer mouse with enough visual identity to stand apart from generic desk hardware.

Ember Disc Mouse was also considered as part of a complete working ritual. The hand reaches for it between notes, reference tabs, messages, sketches, and small pauses. Its low circular disc silhouette gives the eye a clear landmark, while the deep terracotta red surface carries a mood that can sit beside both analogue and digital tools. The design is intentionally specific, so it feels like a chosen object rather than an anonymous accessory.

Place it in the warm clay and muted charcoal studio setting and the relationship becomes clear. Natural textures bring out the depth of the finish, smoother surfaces sharpen its outline, and a quieter background gives the colour room to settle. That balance gives the product a presence that feels personal without becoming precious. DGXFHN™ treats that sense of proportion as part of the product itself: an object should work well, feel comfortable in the room, and remain interesting after the first impression has passed.

DGXFHN™ / CHAPTER 02

A calmer hand position — Ember Disc Mouse

Ember Disc Mouse was developed around ember tones in a clay workshop. That reference gives the design its particular balance: a low circular disc body, a deep terracotta red finish, and a presence that feels deliberate without becoming theatrical. The silhouette stays legible without relying on loud graphics or oversized marks. The result is an everyday computer mouse with enough visual identity to stand apart from generic desk hardware.

Ember Disc Mouse was also considered as part of a complete working ritual. The hand reaches for it between notes, reference tabs, messages, sketches, and small pauses. Its low circular disc silhouette gives the eye a clear landmark, while the deep terracotta red surface carries a mood that can sit beside both analogue and digital tools. The design is intentionally specific, so it feels like a chosen object rather than an anonymous accessory.

Place it in the warm clay and muted charcoal studio setting and the relationship becomes clear. Natural textures bring out the depth of the finish, smoother surfaces sharpen its outline, and a quieter background gives the colour room to settle. It belongs to the desk through use, proportion, and touch rather than through visual noise. DGXFHN™ treats that sense of proportion as part of the product itself: an object should work well, feel comfortable in the room, and remain interesting after the first impression has passed.

DGXFHN™ / CHAPTER 03

The colour in morning light — Ember Disc Mouse

Ember Disc Mouse was developed around ember tones in a clay workshop. That reference gives the design its particular balance: a low circular disc body, a deep terracotta red finish, and a presence that feels deliberate without becoming theatrical. The finish changes gently as the room moves from daylight to a warmer evening lamp. The result is an everyday computer mouse with enough visual identity to stand apart from generic desk hardware.

Ember Disc Mouse was also considered as part of a complete working ritual. The hand reaches for it between notes, reference tabs, messages, sketches, and small pauses. Its low circular disc silhouette gives the eye a clear landmark, while the deep terracotta red surface carries a mood that can sit beside both analogue and digital tools. The design is intentionally specific, so it feels like a chosen object rather than an anonymous accessory.

Place it in the warm clay and muted charcoal studio setting and the relationship becomes clear. Natural textures bring out the depth of the finish, smoother surfaces sharpen its outline, and a quieter background gives the colour room to settle. The finish adds atmosphere, while the outline keeps the object practical and immediately readable. DGXFHN™ treats that sense of proportion as part of the product itself: an object should work well, feel comfortable in the room, and remain interesting after the first impression has passed.

DGXFHN™ / CHAPTER 04

The shape from the side — Ember Disc Mouse

Ember Disc Mouse was developed around ember tones in a clay workshop. That reference gives the design its particular balance: a low circular disc body, a deep terracotta red finish, and a presence that feels deliberate without becoming theatrical. A quiet visual rhythm makes repeated navigation feel less mechanical. The result is an everyday computer mouse with enough visual identity to stand apart from generic desk hardware.

Ember Disc Mouse was also considered as part of a complete working ritual. The hand reaches for it between notes, reference tabs, messages, sketches, and small pauses. Its low circular disc silhouette gives the eye a clear landmark, while the deep terracotta red surface carries a mood that can sit beside both analogue and digital tools. The design is intentionally specific, so it feels like a chosen object rather than an anonymous accessory.

Place it in the warm clay and muted charcoal studio setting and the relationship becomes clear. Natural textures bring out the depth of the finish, smoother surfaces sharpen its outline, and a quieter background gives the colour room to settle. In the end, the object feels right because its quiet details continue to make sense each day. DGXFHN™ treats that sense of proportion as part of the product itself: an object should work well, feel comfortable in the room, and remain interesting after the first impression has passed.

DGXFHN™ / CHAPTER 05

A desk with room to breathe — Ember Disc Mouse

Ember Disc Mouse was developed around ember tones in a clay workshop. That reference gives the design its particular balance: a low circular disc body, a deep terracotta red finish, and a presence that feels deliberate without becoming theatrical. The object works as part of the room, with enough character to remain recognisable. The result is an everyday computer mouse with enough visual identity to stand apart from generic desk hardware.

Ember Disc Mouse was also considered as part of a complete working ritual. The hand reaches for it between notes, reference tabs, messages, sketches, and small pauses. Its low circular disc silhouette gives the eye a clear landmark, while the deep terracotta red surface carries a mood that can sit beside both analogue and digital tools. The design is intentionally specific, so it feels like a chosen object rather than an anonymous accessory.

Place it in the warm clay and muted charcoal studio setting and the relationship becomes clear. Natural textures bring out the depth of the finish, smoother surfaces sharpen its outline, and a quieter background gives the colour room to settle. The design keeps its voice low, which makes it easy to live with across changing projects and seasons. DGXFHN™ treats that sense of proportion as part of the product itself: an object should work well, feel comfortable in the room, and remain interesting after the first impression has passed.

DGXFHN™ / CHAPTER 06

The detail you notice later — Ember Disc Mouse

Ember Disc Mouse was developed around ember tones in a clay workshop. That reference gives the design its particular balance: a low circular disc body, a deep terracotta red finish, and a presence that feels deliberate without becoming theatrical. Its proportions keep the hand supported while leaving the surrounding surface visually open. The result is an everyday computer mouse with enough visual identity to stand apart from generic desk hardware.

Ember Disc Mouse was also considered as part of a complete working ritual. The hand reaches for it between notes, reference tabs, messages, sketches, and small pauses. Its low circular disc silhouette gives the eye a clear landmark, while the deep terracotta red surface carries a mood that can sit beside both analogue and digital tools. The design is intentionally specific, so it feels like a chosen object rather than an anonymous accessory.

Place it in the warm clay and muted charcoal studio setting and the relationship becomes clear. Natural textures bring out the depth of the finish, smoother surfaces sharpen its outline, and a quieter background gives the colour room to settle. That balance gives the product a presence that feels personal without becoming precious. DGXFHN™ treats that sense of proportion as part of the product itself: an object should work well, feel comfortable in the room, and remain interesting after the first impression has passed.

DGXFHN™ / CHAPTER 07

Made for repeat use — Ember Disc Mouse

Ember Disc Mouse was developed around ember tones in a clay workshop. That reference gives the design its particular balance: a low circular disc body, a deep terracotta red finish, and a presence that feels deliberate without becoming theatrical. The colour was selected to sit naturally with both pale and deeper interior palettes. The result is an everyday computer mouse with enough visual identity to stand apart from generic desk hardware.

Ember Disc Mouse was also considered as part of a complete working ritual. The hand reaches for it between notes, reference tabs, messages, sketches, and small pauses. Its low circular disc silhouette gives the eye a clear landmark, while the deep terracotta red surface carries a mood that can sit beside both analogue and digital tools. The design is intentionally specific, so it feels like a chosen object rather than an anonymous accessory.

Place it in the warm clay and muted charcoal studio setting and the relationship becomes clear. Natural textures bring out the depth of the finish, smoother surfaces sharpen its outline, and a quieter background gives the colour room to settle. It belongs to the desk through use, proportion, and touch rather than through visual noise. DGXFHN™ treats that sense of proportion as part of the product itself: an object should work well, feel comfortable in the room, and remain interesting after the first impression has passed.

DGXFHN™ / CHAPTER 08

A considered working rhythm — Ember Disc Mouse

Ember Disc Mouse was developed around ember tones in a clay workshop. That reference gives the design its particular balance: a low circular disc body, a deep terracotta red finish, and a presence that feels deliberate without becoming theatrical. The design rewards a closer look through small transitions in edge, curve, and texture. The result is an everyday computer mouse with enough visual identity to stand apart from generic desk hardware.

Ember Disc Mouse was also considered as part of a complete working ritual. The hand reaches for it between notes, reference tabs, messages, sketches, and small pauses. Its low circular disc silhouette gives the eye a clear landmark, while the deep terracotta red surface carries a mood that can sit beside both analogue and digital tools. The design is intentionally specific, so it feels like a chosen object rather than an anonymous accessory.

Place it in the warm clay and muted charcoal studio setting and the relationship becomes clear. Natural textures bring out the depth of the finish, smoother surfaces sharpen its outline, and a quieter background gives the colour room to settle. The finish adds atmosphere, while the outline keeps the object practical and immediately readable. DGXFHN™ treats that sense of proportion as part of the product itself: an object should work well, feel comfortable in the room, and remain interesting after the first impression has passed.

DGXFHN™ / CHAPTER 09

Material and atmosphere — Ember Disc Mouse

Ember Disc Mouse was developed around ember tones in a clay workshop. That reference gives the design its particular balance: a low circular disc body, a deep terracotta red finish, and a presence that feels deliberate without becoming theatrical. The overall impression stays refined because every visible line has a reason. The result is an everyday computer mouse with enough visual identity to stand apart from generic desk hardware.

Ember Disc Mouse was also considered as part of a complete working ritual. The hand reaches for it between notes, reference tabs, messages, sketches, and small pauses. Its low circular disc silhouette gives the eye a clear landmark, while the deep terracotta red surface carries a mood that can sit beside both analogue and digital tools. The design is intentionally specific, so it feels like a chosen object rather than an anonymous accessory.

Place it in the warm clay and muted charcoal studio setting and the relationship becomes clear. Natural textures bring out the depth of the finish, smoother surfaces sharpen its outline, and a quieter background gives the colour room to settle. In the end, the object feels right because its quiet details continue to make sense each day. DGXFHN™ treats that sense of proportion as part of the product itself: an object should work well, feel comfortable in the room, and remain interesting after the first impression has passed.

DGXFHN™ / CHAPTER 10

The quiet centre of the desk — Ember Disc Mouse

Ember Disc Mouse was developed around ember tones in a clay workshop. That reference gives the design its particular balance: a low circular disc body, a deep terracotta red finish, and a presence that feels deliberate without becoming theatrical. The form catches a small pool of light and gives the desk a clear centre. The result is an everyday computer mouse with enough visual identity to stand a